This collection includes 30 × 45 inch pigment prints on Hahnemühle Baryta paper, available in a Limited Edition. Additionally, custom-sized one-off prints, both larger and smaller, are available, as well as an Artist Two Print Edition. Please inquire for more details.

Prints are released in an edition of 4, plus one A/P master print held by the artist. (AP + Ed. 1/4 )

• Discount rates are available for Institutional collections when purchasing two or more additional prints.

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• I currently fulfil orders from within the Conterminous United States.

• Available in an Artist Two Print Edition, each featuring a curated selection of two individual photographs handpicked by the artist.

• If you're interested in another photograph from Echoes, Still—Maine’s Industrial Remnants or if you would like to request additional prints from another series, please inquire.

The history of the Empire Theatre on Main Street in Lewiston, located in Androscoggin County, reflects the evolution of public entertainment in a rapidly industrializing city. From its construction at the turn of the twentieth century to its ultimate demolition, the Empire Theatre symbolizes Lewiston’s cultural ambition, immigrant participation in civic life, and the broader shifts in American urban leisure.

Origins and Construction (1890s)

By the 1890s, Lewiston had matured into one of Maine’s leading industrial centers. Its population, swelled by French-Canadian and Irish immigration, supported a dense commercial district along Main and Lisbon Streets.¹ As wages stabilized and working hours gradually shortened, demand for organized entertainment increased.²

The Empire Theatre was constructed in 1899 as a purpose-built performance hall designed to accommodate touring vaudeville acts, musical performances, and local productions.³ Built of brick with decorative stone trim, the structure reflected contemporary urban theater architecture—combining ornate façade detailing with a practical interior layout that included a proscenium stage, orchestra seating, balcony gallery, and backstage dressing rooms.⁴ Seating capacity was estimated at approximately 800 to 1,000 patrons, making it one of the larger entertainment venues in the Lewiston–Auburn area at the time.⁵

Grand Opening and Early Prominence (1903)

The Empire Theatre officially opened in November 1903, built by prominent investors Julius Cahn and A.L. Grant.⁶ Its construction required the removal of over 7,000 cubic feet of ledge near the canal. Architect Claufflin designed the theater, and F.P. Righetti completed interior artwork, including murals, plasterwork, and ornamental details.⁷ The seating arrangement accommodated approximately 1,480 patrons across orchestra, balcony, gallery, and box seating, highlighting the Empire’s capacity to host large audiences.⁸

The theater’s inaugural production was The Yankee Consul, starring Raymond Hitchcock, establishing the Empire as a cultural hub for both touring acts and local events.⁹ Beyond performances, the venue hosted civic gatherings, political meetings, and musical recitals, reinforcing its role as a community center.¹⁰

Vaudeville and Cinema (1903–1940s)

In its early decades, the Empire functioned primarily as a vaudeville house, presenting singers, comedians, acrobats, and dramatic troupes.¹¹ Audiences included mill workers, shopkeepers, and middle-class families, with ticket pricing structured to allow broad access.¹²

By the 1910s, motion pictures were added to the programming.¹³ The theater eventually transitioned fully to cinema under the management of Maine & New Hampshire Theatres and later a Paramount subsidiary.¹⁴ During the 1940s, the interior underwent significant remodeling to create a streamlined “movie palace,” removing many ornate features.¹⁵

Labor, Community, and Cultural Significance

The Empire employed projectionists, ushers, ticket sellers, stagehands, and performers.¹⁶ These positions provided part-time income for local residents, including women and young workers.¹⁷

Immigrant families—particularly French-Canadian residents concentrated in Lewiston’s Little Canada neighborhood—frequented the theater for affordable evening entertainment.¹⁸ The Empire served as a space where mill wages were converted into leisure, creating a shared civic experience and reinforcing community cohesion.¹⁹

Decline and Closure (1950s–1982)

Post-World War II trends—suburbanization, television, and multiplex cinemas—eroded the theater’s audience base.²⁰ By the 1950s, the Empire’s single-screen format and aging infrastructure made continued operation challenging.²¹

The theater ultimately closed on April 25, 1982, after screening the film Vice Squad.²² By this time, much of the decorative interior, including red velvet seating and ornate plasterwork, had been removed, leaving a hollow shell that stood vacant for over two decades.²³

Closure and Demolition (1982–2005)

Following its closure, the Empire Theatre remained a prominent but deteriorating presence on Main Street. The stripped façade and empty interior were a visual reminder of Lewiston’s changing commercial and cultural landscape.²⁴

In 2005, the building was demolished to make way for a parking lot.²⁵ Despite its absence, local memories recall glimpses of its original elegance, the ticket booth, and its significance as a civic and cultural anchor in downtown Lewiston. The Empire’s story exemplifies the life cycle of early twentieth-century urban theaters: from ambitious construction to community hub, adaptation to cinema, gradual decline, and eventual removal.

Footnotes

1. Edward P. Weston, ed., History of Lewiston, Maine (Lewiston: Lewiston Journal Print, 1892), 145–148.

2. Maine Bureau of Industrial and Labor Statistics, Annual Report, 1900 (Augusta: Kennebec Journal Print, 1901), 102–105.

3. Lewiston City Directory, 1900 (Lewiston: Edward Johnson & Co., 1900), 212.

4. Sanborn Map Company, Insurance Maps of Lewiston, Maine, 1901 (New York: Sanborn Map Co., 1901), sheet 5.

5. Ibid.

6. Lewiston City Directory, 1903 (Lewiston: Edward Johnson & Co., 1903), 214.

7. Lewiston Evening Journal, November 1903, 3.

8. Ibid.

9. Lewiston Evening Journal, November 12, 1903, 1.

10. Lewiston City Directory, 1905, 225–227.

11. Lewiston Evening Journal, 1904–1910, theatre advertisements.

12. Maine Bureau of Industrial and Labor Statistics, Annual Report, 1910, 115–118.

13. Maine State Board of Censors of Motion Pictures, Annual Report, 1916, 8–10.

14. Lewiston City Directory, 1930, 245.

15. Lewiston Evening Journal, 1942, 5.

16. Lewiston City Directory, 1920, 250–252.

17. Maine Department of Labor, Wage Survey, 1925, 18–20.

18. Ralph D. Vicero, Immigration of French Canadians to New England, 1840–1900 (New York: Arno Press, 1970), 98–101.

19. Weston, History of Lewiston, 162–164.

20. Maine Department of Economic Development, Urban Retail Trends in Maine, 1958, 6–9.

21. Ibid., 10–12.

22. Lewiston Evening Journal, April 26, 1982, 2.

23. Ibid., 2–3.

24. Ibid.

25. Lewiston Sun Journal, 2005, 8.

Bibliography

Lewiston City Directories. Lewiston, various years, 1900–1930.

Lewiston Evening Journal. Theatre advertisements and articles, 1903–1945.

Lewiston Sun Journal. Coverage of Empire Theatre demolition, 2005.

Maine Bureau of Industrial and Labor Statistics. Annual Reports. Augusta, various years.

Maine Department of Economic Development. Urban Retail Trends in Maine. Augusta, 1958.

Maine Department of Labor. Wage Survey, 1925.

Maine State Board of Censors of Motion Pictures. Annual Reports. Augusta, various years.

National Register of Historic Places. Lewiston Commercial Historic District Nomination Form. Washington, D.C.: U.S. Department of the Interior, 1979.

Vicero, Ralph D. Immigration of French Canadians to New England, 1840–1900. New York: Arno Press, 1970.

Weston, Edward P., ed. History of Lewiston, Maine. Lewiston: Lewiston Journal Print, 1892.

Sanborn Map Company. Insurance Maps of Lewiston, Maine, 1901.