Kevin LeDuc
Kevin LeDuc
An American Photographer
 
 

Kevin LeDuc

Lives and works in Topsham, Maine

207.725.4442

kleducstudios@gmail.com

Inquiries for commission work, or donations are most certainly welcome.

Follow me on Instagram and Facebook, or sign up for updates on my book series, Echoes, Still as I travel through Maine’s Industrial Remnants Region.

If you have questions, I have answers

ABOUT ME

Kevin's life is characterized by constant movement and diverse experiences. Born at Kittery Naval Shipyard in Maine, he had a nomadic childhood traveling the eastern seaboard. At ten, he boarded a troop ship to Yokohama, Japan, carrying 4,000 Soldiers headed for the Vietnam War. This early life transition shaped his unique perspective and artistic vision.

His images frequently incorporate elements of societal reflections of human experience. Kevin’s photographic compositions are storylines intended to embody a minimalist aesthetic, characterized by their simplicity yet imbued with a compelling strength, forcefulness, and richness in both detail and color palette. While every individual photograph possesses an inherent strength to stand on its own, it is the collective assembly, like freeze-frame images on a film strip, that transcends the narrative beyond its mere physical structure.

LeDuc is an advisory member at the Maine Museum of Photographic Arts, Portland, Maine (2019-2024). His Notable exhibitions include Requiem for America, Book Project, Maine Museum of Photographic Arts, Portland, Maine, (upcoming); “Bass Harbor Rock No.01” and "Lighthouse Rock No.01 & No.02," Maine Art Gallery, Wiscasset, Maine (2024); The Staircase, An Exploration into the Fourth Dimension, Official Selection, International Photography Awards, Los Angeles, California (2022); Tip of The Spear, Maine Museum of Photographic Arts, Portland, Maine (2018); Bruce Cockburn, and Sarah McLachlan, Toronto Sound Image Exhibition, Analogue Gallery, Toronto, Canada (2019, 2018); Pizza Diplomacy, First Place, Editor’s Thirty-Year Review, November 1990 Edition, Portland Monthly Magazine, Portland, Maine (2014).

Curriculum Vitae

 

Print Details

 
 

Available for exhibition, institutions, and private collections—please inquire for details

 

Sample Print

Print Details

Image: Printed on Hahnemühle Photo Rag Baryta, this 100% cotton paper features a finely textured, high-gloss surface that brings depth and subtle tactility to the image. A barium sulphate coating enhances density, tonal range, and color fidelity, producing rich blacks, smooth gradation, and exceptional sharpness while preserving the character of a traditional fiber-based paper. At 315 gsm and heavyweight 15.4 mil Rag with high opacity it is fully archival—acid-free, calcium carbonate buffered, and free of optical brightening agents..

Pigment Inks: are selected for their exceptional stability and depth, offering a color-core permanence rated for up to 325 years under proper archival conditions. This longevity ensures that tonal integrity, color fidelity, and detail remain uncompromised over time, making the work suitable for long-term display in institutional and private collections alike.

Authenticity

Signature: dated, numbered & hand signed in No.2 charcoal pencell by the artist.

Stamp: Coureur De Bois Artist Logo

 

Presentation

Mat: An 8-ply, 100% archival cotton mat in white, sized to 40 × 55 inches with a 5-inch border.
Frame: A solid white maple frame measuring 40 × 55 inches, finished with a 2-inch box profile.
Mount: Hinged with archival tape on 4-ply archival foam core.
Glazing: Archival, glare-free, non-reflective glass.

Room Decor

Single prints are carefully rolled in acid- and lignin-free archival tissue, enclosed within a PVC-free protective sleeve, and secured in an 8-inch double-core tube for safe shipping.