Kevin LeDuc
Kevin LeDuc
An American Photographer
 
 

Kevin LeDuc

Lives and works in Topsham, Maine

kleducstudios@gmail.com

Inquiries for commission work, or donations are most certainly welcome.

Follow me on Instagram and Facebook, or sign up for updates on my book series, Echoes, Still as I travel through Maine’s Industrial Remnants Region.

Made Away

Kevin's life is characterized by constant movement and diverse experiences. Born at Kittery Naval Shipyard in Maine, he had a nomadic childhood traveling the eastern seaboard. At ten, he boarded a troop ship to Yokohama, Japan, carrying 4,000 Soldiers headed for the Vietnam War. This early life transition shaped his unique perspective and artistic vision.

His images frequently incorporate elements of societal reflections of human experience. Kevin’s photographic compositions are storylines intended to embody a minimalist aesthetic, characterized by their simplicity yet imbued with a compelling strength, forcefulness, and richness in both detail and color palette. While every individual photograph possesses an inherent strength to stand on its own, it is the collective assembly, like freeze-frame images on a film strip, that transcends the narrative beyond its mere physical structure.

LeDuc is an advisory member at the Maine Museum of Photographic Arts, Portland, Maine (2019-2024). His Notable exhibitions include Requiem for America, Book Project, Maine Museum of Photographic Arts, Portland, Maine, (upcoming); “Bass Harbor Rock No.01” and "Lighthouse Rock No.01 & No.02," Maine Art Gallery, Wiscasset, Maine (2024); The Staircase, An Exploration into the Fourth Dimension, Official Selection, International Photography Awards, Los Angeles, California (2022); Tip of The Spear, Maine Museum of Photographic Arts, Portland, Maine (2018); Bruce Cockburn, and Sarah McLachlan, Toronto Sound Image Exhibition, Analogue Gallery, Toronto, Canada (2019, 2018); Pizza Diplomacy, First Place, Editor’s Thirty-Year Review, November 1990 Edition, Portland Monthly Magazine, Portland, Maine (2014).

Curriculum Vitae

 

 

If you have questions, I have answers


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 Print Details

Limited Edition Prints

Each image is produced as a limited edition, with the total number of prints in the edition remaining fixed even when individual prints within the edition vary in size. Image sizes range from 45" × 60" to 11.5" × 17", with the standard size being 20" × 30". All prints are produced with a generous two- to four-inch white border.

New images are released in an edition of five, along with one Artist Proof (A/P), one State Proof (S/T), and a Bon à Tirer (B.A.T.). The Bon à Tirer, meaning “good to print,” is the master print retained by the artist as the reference for the edition. Older images may have been produced in larger editions.

Every print is personally made and hand-signed by the artist.

Image: Printed on Hahnemühle Photo Rag Baryta, this 100% cotton paper features a finely textured, high-gloss surface that brings depth and subtle tactility to the image. A barium sulphate coating enhances density, tonal range, and color fidelity, producing rich blacks, smooth gradation, and exceptional sharpness while preserving the character of a traditional fiber-based paper. At 315 gsm and heavyweight 15.4 mil Rag with high opacity it is fully archival—acid-free, calcium carbonate buffered, and free of optical brightening agents..

Pigment Inks: are selected for their exceptional stability and depth, offering a color-core permanence rated for up to 325 years under proper archival conditions. This longevity ensures that tonal integrity, color fidelity, and detail remain uncompromised over time, making the work suitable for long-term display in institutional and private collections alike.

Authenticity

Signature: dated, numbered & hand signed in No.2 charcoal pencell by the artist.

Stamp: Coureur De Bois Artist Logo

Presentation

Mat: An 8-ply, 100% archival cotton mat in white, sized to 42 × 53 inches with a 4-inch border.
Frame: A solid white maple frame measuring 42 × 53 inches, finished with a 2-inch box profile.
Mount: Hinged with archival tape on 4-ply archival foam core.
Glazing: Archival, glare-free, non-reflective glass.

Room Decor: framed photograph example in a room


Elevator Pitch

Echoes, Still is an expansive photographic exploration of Maine’s industrial remnants across all sixteen counties, using abandoned mills, factories, and industrial sites as spatial archives where architecture, texture, light, and decay preserve traces of labor and lives once embedded within them. Informed by my family’s own industrial history, the work explores presence and absence, memory and time, revealing Maine’s industrial landscape as a living palimpsest that continues to shape our sense of place and belonging.

DRAFT

Multiple Limited Edition; Prints within the edition can vary in size. The total number of

prints in the edition remains the same. My image sizes range from 44” x 60” to 11.5” x

17”. My standard size is 20” x 30”. All prints are made with two to four inch white borders.

New Prints are made in an edition of 5 with one A/P (Artist Proof), one S/T (State Proof)

and a B.A.T. (Bon à Tirer). The Bon à Tirer is the artist held master print. Older images

may be printed in larger editions

I print with two different papers;

Hahnemuhle 315 gsm High Gloss Cotton Rag

Hahnemuhle Baryta Glossy Fiber Base (Bon à Tirer)

Instagram

For each post:

Art historical info:

Web address

Artist statement


https://www.pressherald.com/2026/05/24/obituarytom-jones-2/

ROANOKE, Va. – Tom Jones passed away on May 16, 2026, in Virginia, where he spent the final two years of his life. Born on April 11, 1944, in New London, he joined the U.S. Navy in 1962 and served during the Cuban Missile Crisis, where his talent for aerial photography first emerged while documenting Russian missile tankers. His skill and professionalism later earned him the honor of serving as one of the Navy photographers assigned to the funeral of John F. Kennedy.

Tom made Brunswick his home after his time in the Navy and built a distinguished photography career spanning more than five decades, becoming one of Maine’s most published photographers, with work appearing in publications including The New York Times, National Geographic, People, Time, Down East, and The Maine Times. He received numerous awards for his work and was nominated for a Pulitzer Prize in photojournalism.

Jones also photographed prominent public figures including Bette Davis, Queen Elizabeth II, Bill Clinton, Dorothy Hamill, Dahlov Ipcar, and Jamie Wyeth, along with numerous Maine politicians, dignitaries, and media personalities. He also captured the landscapes, coastlines, and spirit of Maine through his aerial and landscape photography. His work remains an enduring visual record of Maine and its people across generations.